Daniela Huerta is a Mexican, Berlin-based sound artist working in cross-disciplinary performance. Her work is rooted in mythology as an operative system of knowledge, with particular attention to obscured feminine figures and chthonic power. She creates hyperreal sound spheres, combining field recordings, archives, deconstructed rhythms, and live sampling. Her approach is both raw and refined — a boundary-pushing exploration of sound as a narrative force.

She has presented her work internationally at venues and festivals including Elbphilharmonie Hamburg, Casa del Lago, Museo Carrillo Gil, MUTEK Montr.al and Mexico, CTM Festival, Heroines of Sound, Berghain, Neue Nationalgalerie, Silent Green, Kiezsalon, among others. She has released music on Other People, Concentric Records, Tsuku Boshi, Karlrecords, Kashual Plastik, Petites Plan.tes, and Elevator Bath.

Instagram: https://www.instagram.com/baby_vulture/

Website: https://huertadaniela.com/

Francesco Corvi is a sound artist and live coder working with algorithmic composition, real-time systems, and net art. His work draws on microsound, noise, and glitch not as genre markers but as modes of inquiry into temporality, perception, and algorithmic agency.

His work has been presented at venues including Corsica Studios, Silent Green, Festival di Angelica, Glitch – Pixel Language Tehran, and the Institute of Sonology, where he received the Konrad Boehmer Prize for his Master's thesis project The Embodiment of the Ephemeral.

He regularly holds workshops and masterclasses at institutions across Europe such as Accademia di Brera and KABK – Royal Academy of Art, The Hague.

He is also curating Algomistica, an event series and artistic platform dedicated to radical computer music and speculative sound practices.

Instagram: https://www.instagram.com/nesso.xyz/

Website: https://www.nesso.xyz/

Artjom Astrov is a musician based in Vienna. His practice incorporates spatial and conceptual properties of sound, language and video. Artjom’s recent solo and collaborative work has been shown at Palais de Tokyo, Volksbühne am Rosa-Luxemburg-Platz, and mumok cinema.

Instagram: https://www.instagram.com/artjqm/

Bandcamp: https://artjom.bandcamp.com/

"Marija Jociūtė is a Lithuanian artist and composer based in Vienna. Searching for ways of synchronizing the organic (voice) and the electronic (device), she creates music that easily eludes one's grasp. Between the presence of the absent, the shapes of the vapor, the definitions of the abstract and the rhythms of the broken."

Instagram: https://www.instagram.com/marija_jociute/

Bandcamp: https://marijajociute.bandcamp.com/

at Otto Wagner Kirche am Steinhof

Michael Fischer works on the speech immanence of sounds and their sculptural and dramatic evidence, in the field of free improvised, experimental music and sound-art. In 1999, he began to integrate the acoustic phenomenon feedback into his work and re-contextualized the tenor saxophone as feedbacksaxophone within the electronic sound-production - an exclusively analog instrument (no processings, no pedals), which was further developed at ZKM - Center for Art and Media, Karlsruhe or STEIM Amsterdam. In 2004 he launched the Vienna Improvisers Orchestra and is its artistic director and instant composition conductor. Since mid of the 90ies his works has been presented at festivals and venues in Europe, Lebanon, Canada, USA and Japan.

Instagram: http://instagram.com/michael_fischer_sound_spaces

Bandcamp: https://klanggalerie.bandcamp.com/album/feed-back-saxo-fone

at Otto Wagner Kirche am Steinhof

featuring: Katarina Turčinová, flute — Natalia Kubalcova, violin — Andrej Turčin, violin — Marius Malanetchi, cello/gamba

performing works of J. P. A. Falzone, Eva-Maria Houben and John Cage

James Peter Alfonse Falzone is a composer-performer, born in Worcester, Massachusetts. His doctorate in composition from SUNY Buffalo was conferred in 2025 after having previously completed his master’s in music at Wesleyan University, and he is currently a Fulbright Fellow at the Universität für Musik und Darstellende Kunst Wien. He is trained as a pianist, organist, and percussionist. Falzone’s work as a composer seeks to bring together systems, processes, and approaches to harmony outside of conventional functionality.

Falzone is a founding member of both the Providence Research Ensemble and the composerperformers’ collective Ordinary Affects. His music has been released on the labels New World Records, Another Timbre, and Sawyer Editions.

Instagram: https://www.instagram.com/j_p_a_falzone/

Bandcamp: https://jpafalzone.bandcamp.com/